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Showing posts with label quirky. Show all posts

Twin Berlin - There Goes My Virtue - EP Review!




Twin Berlin, the Boston based indie, alternative rock band have hit the scenes once more with the release of their new EP, 'There Goes My Virtue'. With a band comprising of three members, Matt Lopez (vocals/guitar), Sean O’Neil (bass) and James Janocha (drums), their latest 2012 release sees the band not only gaining a whole lot more recognition, but also a more experimental, indie sound. The band were lucky enough to get Travis Barker (drummer for the punk rock band Blink-182) to produce and record the EP as well as the late Mikey Welsh from alternative band Weezer creating the artwork for the band, which is quite amazing and will definitely help to get more recognition in the long run.

I personally like the artwork as I feel it is colourful and quirky, which is completely different to the bands' previous albums, such as Youth Scenes, which were much more darker in both colour and sound. I actually like the way that the brightness of the artwork contrasts with the theme. For example, when listening to this album, I got the feeling that the theme is quite negative. Just reading the titles of the song gives the jig up. Songs like Don't Hang Around and Give Up On Me aren't necessarily about frolicking through the meadows on a bright summers day.

When listening to the actual album,. I was surprised to find that the vocals of Lopez and the sound of the band sounded ridiculously similar to The Strokes. Then, when listening to it further, I thought that the vocals sounded similar to the vocals of Australian alternative rock band, Jet. There's nothing wrong with this, but perhaps the band need to develop more of their own individual sound, something that makes them set them apart from the other bands.

Nevertheless, the fast-paced rhythms and repetitive hooks are very effective and it's not long until these songs have wormed their way into your head. While the first two songs on the EP are The Strokes meet Jet, the latter song has a slightly different sound. The intro has a slightly ambiguous feel to it as the guitar starts up and the bass joins in a few seconds later.

Overall, I would award this EP 4/5 stars! The music of the band itself is very good, however, like I've mentioned, the music does sound very similar to many other bands and I would suggest perhaps being a bit more experimental and try out different sounds and see which one works best. Check out their single from the EP and their thoughts on working with Travis Barker below!

Music Bloggery Recommends: Can't Take, Take, Take, Don't Hang Around, Give Up On Me

Where'd They Go?! [Version One.]

Thought I'd add a new segment for the blog. This segment simply discusses various rock artists and their seclusion from the music industry. Hence the title - 'Where'd They Go?!'. The idea for this segment came to me while I was thinking of the New Zealand born indie musician, Ladyhawke. I was introduced to her quirky, odd style of music when I first began listening to rock music. Made famous by her hit song, 'My Delirium.' and other acclaimed songs such as 'Paris Is Burning', 'Dusk 'Till Dawn' and 'Magic', this Kiwi girl is just getting started.

Ladyhawke's been away from the music scene from quite some time. Ever since she released her debut 2008 album, she's been out of the limelight for a while. It got me to wondering where she went to, and don't you worry music fans, Ladyhawke's planning on making her comeback this year! That's right, Ladyhawke's is planning on releasing her follow-up album on the 19th of March, and us fans can't wait!

If you've been living in a cave all of your life and don't know who Ladyhawke is, you should start by listening to her self-titled, 2008 debut album. Every song on the album is a new burst of synthesiser quirkiness. Check out the video for 'My Delirium' below. A real female equivalent to MGMT, I would say.



Orange Juice - Rip It Up - Album Review!


★ 

Orange Juice was a Scottish post-punk, new wave band, first formed in Glasgow, Scotland. Rip It Up is the second studio album by the band, and it was first released in November 1982. This album features the self-titled song Rip It Up, which was the first and only song to feature in the UK Top 40 (It featured at no. 8).

When you first listen to the album, you'll be confused yet intrigued as I was, simply because of the collaboration of odd, slightly dark vocals with upbeat synthesisers and extended saxophone solos. The modulated vocals of frontman Edwyn Collins work really well with the fast-paced guitar and rhythmic drums. Part of the reason I believe this album works really well, is because of the mash-up of upbeat, constantly changing melodies and almost unrealistic vocals with the poetry of the lyrics. The sound of the band is quite a nonsensical one, however, if you take a look at the lyrics, they are quite poetical in their own way. 'When I first saw you, Something stirred within me, You were standing sultry in the rain'. Yes, it's no Shelley or Poe, but they are beautifully simple in their own way.

The album is a giant boiling pot of completely different songs, yet they all go together perfectly. For example, songs such as Breakfast Time, (a perfect nostalgia song by-the-by) is incredibly slow paced, and literally on the next track, it's the polar opposite and the pace is much faster on I Can't Help Myself and Flesh of My Flesh

'Rip It Up', is not a quintessentially indie album, so I came to discover. When listening to it fully, it reminded me of the African sounds of the modern American band, Fool's Gold. It seems to me there is some sort of African language being spoken on A Million Pleading Faces and Hokoyo (correct me if I'm wrong), which made the tracks much more interesting and I think it's great how the band are so in tune with other cultures.

In terms of themes, the album is very consistent. The title, derived from the self-titled first track on the album summarises the whole album and what it is inevitably all about, and the title for the track is taken from the lyric in the song 'Rip it up and start again'. Rip what up exactly, I don't know. It could be ripping up the time vortex to start again, or ripping up anything, really. It's all open for interpretation. (So make sure you share your interpretation in the comments section!). But initially, the album is about love and the loss of it. To be honest, I'm quite bored of the topic of love. I understand why people choose to write about it, because it is raw, human emotion, and because of various experiences, but to be honest, I'm tired of artists singing about love. It's a matter of opinion, but I'd like to see more artists talk about death and a completely opposite theme. It's very rare that music artists choose to do so, which is why it would be interesting to see. 

However, I did get the feeling that the band were trying too hard to come across odd and quirky when they're not at all. Collins' vocals seemed too staged and slightly melodramatic to me. For example, on the track Turn Away, Collins' vocals sound completely different to his vocals on songs like Breakfast Time, and to be honest, I much prefer his vocals on Turn Away as they sound more natural. 

So, for the reasons given, I am awarding 'Rip It Up, a 4/5 stars! Don't get me wrong, Although I did enjoy the album, there were a few negative things that stood out in my mind. The great thing about this album and the band in itself is that there's no one genre that you can define them as. The frequent use of synthesisers on Hokoyo would make you think 'electronica', yet the extended saxophone solos on songs like I Can't Help Myself make you think 'jazz'.

Share your views in the comment box below!

Music Bloggery Recommends: Rip It Up, A Million Pleading Faces, Turn Away, I Can't Help Myself and Hokoyo


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